Made Griyawan stands as a unique figure in the world of Balinese art, simultaneously preserving the ancient traditions of Batuan painting and pushing its boundaries through bold experimentation. Born into a lineage of artists, Griyawan has transformed his cultural inheritance into a personal narrative of growth, resilience, and innovation. This essay explores Griyawan’s life, artistic development, and his influence as both a painter and a mentor, shedding light on how he builds upon and reinvents the tradition of Batuan painting.
Born in 1980 in Batuan, Bali, Made Griyawan’s artistic journey began at an early age. As the youngest child of I. Wayan Tawang, a renowned painter, Griyawan grew up immersed in the visual language of wayang motifs and ritual storytelling. Inspired by his father’s work, he began experimenting with painting by age three, using leftover materials from the studio. Despite financial challenges, Griyawan’s artistic drive was evident early on. By third grade, he participated in painting competitions, showcasing a talent that foreshadowed his future career. Balancing art with other pursuits, including national-level volleyball tournaments, Griyawan’s dedication never wavered. He practiced for hours each day, refining his techniques and developing a deep respect for the traditions of his heritage.
After high school, Griyawan faced a difficult choice—pursue a stable career or follow his passion for art. Economic constraints led him to work in a local gallery, where he sold early works and honed his craft, and later as a driver. During this time, he continued to paint, gradually gaining recognition.
In 2007, a turning point arrived. Griyawan committed to painting full-time, supported by the Singapore Batuan Collection, which guaranteed the purchase of his works for two years. This opportunity allowed him to focus entirely on art, pushing his creativity while providing financial stability. It also marked the beginning of his recognition as a modern innovator within the Batuan tradition.
Griyawan’s work reflects a delicate balance between tradition and modernity, blending spiritual narratives with personal reflections. Each painting tells a story, rich with symbolism and philosophical depth:
• "Calon Arang – In the Land of Dirah" (2007): A powerful depiction of mystical betrayal and the eternal struggle between light and darkness.
• "Nature in Silence" (2006): An exploration of ego and introspection, symbolized by a serene seascape.
• "Animals Forum" (2008): A metaphor for intelligence and leadership, represented through the symbolic pangolin.
• "Return in New Clothes" (2008): A reflection on reincarnation and karma, drawing from Balinese Hindu beliefs.
His “water paintings” are especially groundbreaking, demonstrating how traditional methods can integrate modern themes. These works highlight his skill in layered ink techniques and his ability to express emotion through texture and form.
Griyawan’s commitment to Batuan painting stems from a profound respect for its cultural roots. He carefully preserves its intricate detailing, non-linear perspective, and narrative density, yet infuses it with contemporary relevance. His paintings explore spiritual introspection, modern identity, and cultural evolution, pushing the tradition into uncharted territory. By blending ancient techniques with modern motifs, Griyawan’s work embodies the Balinese principle of Desa Kala Patra—respecting place, time, and circumstance—ensuring that Batuan art remains vibrant and adaptable.
While grounded in tradition, Griyawan also challenges conventions. His thematic choices, like personal introspectionand modern social commentary, deviate from the purely ritualistic and mythological focus of earlier Batuan paintings. By experimenting with color palettes, compositions, and subject matter, he broadens the scope of Batuan art, making it accessible to global audiences. His work also questions traditional hierarchies within art, promoting creativity over replication. Through his “water paintings,” he introduces fluidity and abstraction, contrasting the rigid patterns of earlier Batuan works.
Beyond his paintings, Griyawan has established himself as a teacher and mentor. He emphasizes the importance of self-expression, urging students to develop their own voices rather than adhering strictly to tradition. His approach fosters innovation, ensuring the evolution of Batuan painting. Griyawan’s influence extends internationally. Exhibitions, including the Tokyo International Art Fair, have introduced his work to global audiences, positioning him as a cultural ambassador. His ability to blend local traditions with universal themes resonates with art critics and collectors worldwide.
Made Griyawan exemplifies the tension between tradition and modernity, preserving the rich legacy of Batuan painting while pushing its boundaries to reflect contemporary realities. His journey—from a child experimenting with paints to a globally recognized artist—illustrates the resilience and adaptability of Balinese art. Through his innovative techniques, thought-provoking themes, and mentorship, Griyawan ensures that Batuan painting continues to thrive. He builds the tradition with reverence while breaking its rules with courage, positioning himself as both a guardian and an innovator of Balinese culture. For art historians and critics, his work offers a compelling case study of how tradition can evolve without losing its soul.